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While the identities of Slipknot‘s new drummer and bassist are widely believed to be Jay Weinberg & Alessandro ‘Vman’ Venturella respectively - the band themselves may never fully confirm it. Guitarist Jim Root told Guitar World:

“We’re not saying who the new drummer is. Even if people find out beyond a shadow of a doubt who the new drummer is, I think we’re always going to deny who it is. He might not last. He might tour with us a year and figure out we’re all insane and he can’t handle being around us. Or we might shut him out. Who knows? For Slipknot, I’d say drumming is only 50 or 60 percent of the job. The rest of it is who you are and what your personality is. Will you clash with guys like me, Mick, Clown, Corey, Craig and Chris? We all have these strong alpha-male personalities.”

On the bassist front, Jim Root stated that both he and fellow guitarist Mick Thomson handled the bulk of the playing in the studio. At one point touring bassist (and former guitarist) Donnie Steele was involved with the studio sessions for the bands new album “.5: The Gray Chapter“. However, things didn’t pan out, as Root explains:

Donnie’s a great guy. We brought him in to help us out in the studio for a while. But it wasn’t really jivin’. He wanted to go home and get married and do all that stuff. It’s just better off for us to kinda move on from Donnie.”

Posted on: 09 Oct 2014


Late Slipknot bassist Paul Gray plays a large role on the groups forthcoming new album “.5: The Gray Chapter“. Band guitarist Jim Root relayed one possibly otherworldly experience in the studio to Revolver as part of an upcoming cover story:

“It’s weird, man. I’m not a very spiritual person, and the whole religion thing, I’m kind of on the fence about a lot of that stuff. So when somebody loses someone who’s close to them and says that they’re still with them, I’ve always thought that was bullshit or whatever.

But I was out in the garage and working on an arrangement for a song that turned into either ‘The Devil In I’ or ‘Sarcastrophe.’ Normally when I write, I throw down the first thing I come up with, then I double it, then I throw a bass on it, and then I put the drums around it. But on this arrangement, I noticed that I wasn’t just throwing the riff down—I was trying different variations on it, trying different positions on the neck, and thinking about melodies while coming up with what the chord progression was going to be…

I suddenly realized, Fuck, man! That’s what Paul used to do! Paul was so meticulous. He would overthink everything, even if it was just how to get from one chord to the next chord. He would explore every possibility on the fretboard, especially if he was writing it on the guitar. And it made me go, He’s here, man—he’s helping me write this shit! And it blew my fucking mind. I had to put my guitar down, and I put my head in my hands. I was like, You fucker!”

Band frontman Corey Taylor also added of the effort:

“There’s a lot of pain on here, there’s a lot of honesty, there’s a lot of insight as far as what we’ve been through. There’s some anger, too. I mean, when you lose someone, there’s naturally part of you that gets really angry that you lost them. At the same time, you kind of have to concede that you have to be happy for the time you got with that person. A lot of stuff is pointed inwardly, as well, because naturally there’s a lot of survivor’s guilt going on, like, ‘What could I have done?’ That’s the burden of people left behind. You never get a good answer. All you can kind of do is make peace with it. And that’s what a lot of this album is about—making peace with the loss that we’ve suffered.”

.5: The Gray Chapter” is due in stores October 21st on Roadrunner. Pre-Order the brand new album now from iTunes / Amazon.com

Posted on: 16 Sep 2014


Guitarist Jim Root has now added a Jazzmaster to his signature models with Fender. See what he had to say about this latest collaboration in the video clip below.

Stark, dark and menacing, the Jim Root Jazzmaster guitar has got to be the most distinctively minimalist version of the instrument ever devised in the model’s entire half-century history. At the behest of the towering SLIPKNOT guitarist, gone are the dual tone circuits and barrage of controls. Gone are the fret position markers and enormous chrome bridge. Gone, in fact, is pretty much everything typical of a Jazzmaster guitar, replaced only by fearsome EMG 60 (neck) and 81 (bridge) humbucking pickups with brushed nickel covers, a single three-way switch, a single volume knob and a hard-tail Stratocaster bridge.

Posted on: 05 Mar 2014


Singer Corey Taylor #8 is turning his full attention to his other band, SLIPKNOT. With Jim Root, guitarist for both groups, back in Los Angeles writing and demoing material, Corey told The Pulse Of Radio where things stand for the long-awaited record. "Me and Jim have been writing a lot of stuff, and it's really starting to kind of shape up really… I mean, we've got a nice chunk, and now we just kind of need to, you know, shape everything to that SLIPKNOT point of view, that SLIPKNOT way, that SLIPKNOT sound."

He added: "There's an excitement that we haven't felt in a while."

The new SLIPKNOT album will be its first since 2008's "All Hope Is Gone" and the first since the 2010 death of bassist Paul Gray and the recent dismissal of drummer Joey Jordison.

Jim Root told The Pulse Of Radio late last year - before the news about Joey Jordison broke - that he was feeling the urgency to make a new SLIPKNOT album. "You know, we haven't done a record since Paul's been gone and it's been pushing six years. And there's a lot of people in SLIPKNOT and a lot of fans and me myself kind of feel like it's time for that hurdle to be overcome. And for me, that's really like my number one priority and the most important thing for me right now."

Posted on: 26 Jan 2014


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